The Pips doing what they do and Gladys Knight at the Regal Theater in Chicago .Taking us to the 70's
From Wikipedia ( just to save you all having to look it up - your blogger cares ) It was called Midnight Plane to Houston
The theme of the song is how romantic love can conquer differences in background. The boyfriend of the song's narrator is a failed musician who left his native Georgia to move to Los Angeles to become a "superstar, but he didn't get far". He decides to give up, and "go back to the life he once knew." Despite the fact that she's settled and secure in herself, the narrator decides to move to Georgia with him:
- "And I'll be with him
- On that midnight train to Georgia
- I'd rather live in his world
- Than live without him in mine."
The song was originally recorded by singer Cissy Houston, and released as a single a year earlier. Jim Weatherly had recorded one of his own songs, "Midnight Plane to Houston," on Jimmy Bowen's Amos Records. "It was based on a conversation I had with somebody... about taking a midnight plane to Houston," Weatherly recalls. "I wrote it as a kind of a country song. Then we sent the song to a guy named Sonny Limbo in Atlanta and he wanted to cut it on Cissy Houston... he asked if I minded if he changed the title to 'Midnight Train to Georgia.' And I said, I don't mind. Just don't change the rest of the song.'" Weatherly told Songfacts that the phone coversation was with Farrah Fawcett and he used Fawcett and his friend Lee Majors, who she'd just started dating, "as kind of like characters." Cissy Houston took Weatherly's song into the R&B chart. Her version can be found on the CD Midnight Train to Georgia: The Janus Years. Also, Weatherly's version began with "Nashville (not L.A.) proved too much for the man."
Weatherly's publisher forwarded the song to Gladys Knight and the Pips, who followed Houston's lead and kept the title "Midnight Train to Georgia." Their second single for Buddah, it debuted on the Hot 100 at number seventy-one and became the group's first number-one hit eight weeks later, as well as reaching number one on the soul singles chart, their fifth on that chart. On the UK Singles Chart, it peaked at number ten.