Thanks to Paul .
The Louisville connection: the song was a hit in two places: Tyler and Louisville.
Robin Hood went on to become the sound man for ZZ Top; Mouse and the Traps featured guitarist "Bugs" Henderson, who developed into a noted Texas Blues guitarist.
From Wikipedia
Ronnie (Mouse) Weiss and Dave Stanley (both born 1939) were members of a local band named Jerry Vee and the Catalinas (or simply the Catalinas) in 1964[1]. Weiss had also performed on a regional hit single "Lucky Lips" by Steve Wright and The Catalinas that was later released nationally by Dot Records[2].
In this time period, they met Bugs Henderson (or Buggs Henderson), lead guitarist for a local instrumental band, the Sensors. Weiss and Knox Henderson – no relation to Buddy (Bugs) Henderson - co-wrote "A Public Execution" and brought the song to Robin Hood Brians, who manages Robin Hood Studios that is still in operation in Tyler, Texas today. This song – which strongly resembles Bob Dylan's music in the mid-1960s – was released as the band's first single in 1966 under the name Mouse. Jerry Howell (who was also in Jerry Vee and the Catalinas[3]) and Ken (Nardo) Murray joined the group shortly thereafter, and most of their remaining music was released under the name Mouse and the Traps. Besides Brians, other musicians that have played in various incarnations of the band over the years include Bobby Delk, Don (Levi) Garrett and Tim Gillespie.
After releasing several singles on the Fraternity Records label, Mouse and the Traps also recorded two singles for Bell Records that were produced by Dale Hawkins (a member of the Rockabilly Hall of Fame, and known as the writer and original recording artist for the early Creedence Clearwater Revival hit, "Suzie Q"). The band also performed on two of Hawkins' singles and contributed toward his 1966 album on the label, L.A., Memphis and Tyler, Texas[4]. The band broke up in 1969, but all members remained in music except Jerry Howell (who became a Baptist minister).
By 1966, the members of Mouse and the Traps – along with Robin Hood Brians and Doug Rhone – were working with singer Jimmy Rabbitt, who was attempting to launch a band under the namePositively 13 O'Clock. Continuing their Dylan connection, the name is an obvious play on Dylan's hit in the same time period, "Positively 4th Street". A Los Angeles studio session at Hanna-Barbera Records in September 1966 resulted in their only recorded single that included a frantic version of Count Five's "Psychotic Reaction"[5]. However, a planned album for the band never materialized[6].
[edit]Musical highlights
The first single by Mouse, "A Public Execution" was much more Dylanesque than any of their later music and reached as high as #121 on Billboard charts[7]. The single was released on REO Recordsin Canada as well and became a regional hit in Ottawa, where many local bands frequently covered the song[8]. The song mimicked both the musical and lyrical features of Dylan's songwriting (particularly "Like a Rolling Stone") as well as Dylan's singing style to the point of homage or even parody. In the original liner notes of the Nuggets compilation album, Lenny Kaye states of this song: "There are some who say that Mouse does Dylan's Highway 61 period better than the Master himself". Another reviewer remarked: "['A Public Execution'] is to Dylan what the Knickerbockers' 'Lies' is to the Beatles: one of the few rip-offs so utterly accurate that it could easily fool listeners into mistaking it for the original article"[9].
Their second, punkier single, "Maid of Sugar, Maid of Spice", is regarded by many as being their best recording but did not repeat their earlier chart success. The next single was a novelty song that went in a completely different direction. Titled "Would You Believe", it was a take-off on the running gag of that name by Don Adams on the television sitcom Get Smart. A promo exists that shows the artist of this third single as only Mouse.[10] However, a more subdued, later single "Sometimes You Just Can't Win" spent one week at #125 and was a regional hit in Tyler, Texas, Nashville, Tennessee and Louisville, Kentucky.
Allmusic describes Mouse and the Traps as "a fine band who was probably too chameleon-like to find their niche in the national market".[11]
By 1968 Bugs Henderson had formed another band call "The Dream" and was playing night club venues around Dallas.
[edit]Post breakup
The band reformed briefly in 1972 but had a genuine reunion in 1986 with the original members during the Texas Sesquicentennial celebration, with a performance at Flag Pole Hill in Dallas before an estimated 7000 people. A videotape of the 1986 reunion concert is reportedly available from Marc Hood Productions[12].
Ronnie (Mouse) Weiss continues to tour and perform regularly, and often with his former bandmates; he is also a writer and is in demand as a session player.
Bugs Henderson has had a renowned career as an influential blues/rock guitarist with 8 albums to his credit. His 2004 release on No Guru Records, Stormy Love includes a version of "Maid of Sugar, Maid of Spice"[13].
Dave Stanley and Ken (Nardo) Murray, together with Larry Stanley founded the Lone Star Ramblers. They were featured performers at Dolly Parton's theme park, Dollywood from 1988 to 1996, and also appear annually at the Texas State Fair. They have released 10 albums and several video productions and also perform as the Stanley Murray Stanley Band and (at Christmastime) the Strolling Santas.
Jimmy Rabbitt has had a long and varied career as a rockabilly musician. He is also a celebrated Dallas and Los Angeles disc jockey who has had an internationally syndicated radio program, The Rabbitt Report since 1971[14]. (Although the vocalist's name for Positively 13 O'Clock is sometimes spelled as "Jimmy Rabbit", he was evidently not a member of an obscure 1960's garage rock band,Jimmy Rabbit and the Karats). Rabbitt was signed to Capitol Records as Jimmy Rabbitt and Renegade. An album was produced by Waylon Jennings and the band consisted of former Sweathog (band) bass player, David L. Johnson.
[edit]Retrospective albums
The music by Mouse and the Traps and the other associated bands has been assembled by two European record labels on retrospective albums. The first was an LP called Public Execution that was released in 1982 (on Eva Records), which included nearly all of their singles, including the Positively 13 O'Clock record. The LP was re-released on CD by New Rose Blues Records in 1995 with 4 bonus tracks, including both sides of the 45 that was released under the name of Chris St. John. Out of the 25 recordings on their various singles, the only un-reissued tracks are on their final Bell Records single, "Knock on My Door" and "Where's the Little Girl". (The reason that there is an odd number of recordings is that "Cryin' Inside" was released as the "B" side of a 1968 single after its original release in 1967).
Also, in 1997, a CD was released on Ace Records/Big Beat Records with 7 previously unreleased songs that is still in print. Both retrospective albums are comprehensive overviews of the band's career, although the two albums have several tracks that are not in common. Their recordings are also widely available on numerous compilation albums of garage rock music.
[edit]Band members
[edit]Mouse ("A Public Execution")[15].
- Ronnie (Mouse) Weiss, 12-String Guitar and Vocals.
- Dave Stanley, Bass Guitar.
- Bugs Henderson, Guitar.
- Don (Levi) Garrett, Drums.
- Randy Fouts, Piano.
- Robin Hood Brians, Farfisa Organ.
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